In the solo piece KYABAJO, Jija Sohn embodies the identity of the typical Japanese hostess and deconstructs it in a surreal way. She researches how power can manifest itself in subtle ways. She finds herself facing and interfacing with a series of objects meant to become installations that let her subconscious emerge – culminating in a visual performance in which the raw side of man is celebrated and the seedy embraced. Surrender to a game of oppression, power, and liberation.
