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Don’t be surprised about the contrast between the bottom and top of this wall; they were indeed drawn by the same cartoonist… At the bottom, the link with the city is direct. Symbolical and existential phrases inscribed on the fresco appeal to your senses. On looking up, you travel into a dreamland. Not surprising, as it’s Yslaire, the cartoonist-drawer of Sambre and of Bidouille and Violette who once again offers us a strange and pastoral ambience... that’s so poetic.